By Patricia L. Lang and Ruth Ann Armitage (Eds.)
content material: PREFACE ; 1. WHAT>'S flawed WITH THIS photograph? THE TECHNICAL research OF A identified FORGERY ; GREGORY D. SMITH, JAMES F. HAMM, DAN A. KUSHEL, AND CORINA E. ROGGE ; 2. clinical exam AND therapy OF A portray via GIJSBERT GILLISZ D>'HONDECOETER within the MAURITSHUIS ; LAUREN PAUL BRADLEY, SABRINA MELONI, ERICH STUART UFFELMAN, AND JENNIFER L. MASS ; three. hand held XRF ANALYSES of 2 VERONESE work ; ERICH STUART UFFELMAN, ELIZABETH court docket, JOHN MARCIARI, ALEXIS MILLER, AND LAUREN COX ; four. CHARACTERIZATION OF THE BINDERS AND PIGMENTS within the ROCK work OF CUEVA l. a. CONGA, NICARAGUA ; R. LI, S. BAKER, C. SELVIUS DEROO, AND R. A. ARMITAGE ; five. LASER ABLATION-INDUCTIVELY COUPLED PLASMA-MASS SPECTROMETRY research OF reduce PECOS ROCK PAINTS AND attainable PIGMENT resources ; JON RUSS, KAIXUAN BU, JEFF HAMRICK, AND JAMES V. CIZDZIEL ; 6. identity OF natural DYES through DIRECT research IN genuine TIME-TIME OF FLIGHT MASS SPECTROMETRY ; JORDYN GEIGER, RUTH ANN ARMITAGE, AND CATHY SELVIUS DEROO ; 7. CHARACTERIZING natural RESIDUES ON CERAMICS by means of DIRECT research IN genuine TIME TIME-OF-FLIGHT MASS SPECTROMETRY ; JOHN HOPKINS AND RUTH ANN ARMITAGE ; eight. NEW advancements within the <"NONDESTRUCTIVE>" relationship OF PERISHABLE ARTIFACTS utilizing PLASMA-CHEMICAL OXIDATION ; RUTH ANN ARMITAGE, MARY ELLEN ELLIS, AND CAROLYNNE MERRELL ; nine. the jobs OF CHEMISTRY AND tradition within the ORIGINS AND LEGACY OF CRUCIBLE DAMASCUS metal BLADES ; ANN FEUERBACH ; 10. ELEMENTAL COMPOSITION OF a sequence OF MEDIEVAL KOREAN COINAGE through ENERGY-DISPERSIVE X-RAY FLUORESCENCE SPECTROMETRY ; DANIELLE M. GARSHOTT, ELIZABETH MACDONALD, STEPHANIE SPOHN, HANA ATTAR, JENNIFER SHANGO, IRICE ELLIS, MEGHANN N. MURRAY, AND MARK A. BENVENUTO ; eleven. CHEMICAL COMPOSITION OF a sequence OF SIAMESE BULLET cash: A look for modern COUNTERFEITS ; DANIELLE M. GARSHOTT, ELIZABETH MACDONALD, MEGHANN N. MURRAY, AND MARK A. BENVENUTO ; 12. research OF THE <"ARCHAIC MARK>" CODEX ; JOSEPH G. BARABE, ABIGAIL B. QUANDT, AND MARGARET M. MITCHELL ; thirteen. constructing A group OF technology AND paintings students ; PATRICIA HILL AND DEBERAH SIMON ; 14. THE CHEMISTRY OF ARTISTS>' PIGMENTS: AN IMMERSIVE studying direction ; PATRICIA L. LANG ; 15. BRIDGING the space OF paintings AND CHEMISTRY on the INTRODUCTORY point ; ANNE GAQUERE-PARKER AND CASS D. PARKER ; sixteen. TECHNICAL exam OF CULTURAL historical past items linked to GEORGE WASHINGTON ; ERICH STUART UFFELMAN, RONALD W. FUCHS II, PATRICIA A. HOBBS, LAUREN F. solid, DANIELLE S. BOWMAN, AND DEREK A. G. BARISAS ; 17. THE SPECTROSCOPIC research OF PAINTS faraway from A POLYCHROME wooden SCULPTURE OF MALE SAINT ; PATRICIA L. LANG, SHAWN P. LEARY, REBECCA F. CAREY, MELISSA N. COFFER, RICK E. HAMILTON, AMBER L. KLEIN, RANDALL T. brief, AND PHILIP A. KOVAC ; EDITORS>' BIOGRAPHIES ; INDEXES ; writer INDEX ; topic INDEX
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Extra resources for Collaborative Endeavors in the Chemical Analysis of Art and Cultural Heritage Materials
SEM-EDS can be used to identify the elemental composition of a single pigment particle within a cross-section sample, to identify the presence of pigment alteration/degradation products, or to create elemental X-ray maps of the entire sample, providing detailed information about the distribution of elements throughout the layering structure. This technique complements pXRF data in that it allows for the detection of elements as light as boron (Z = 5) because it is performed under high vacuum. SEM-BSE produces grayscale images based on the local average of the atomic numbers present and is invaluable for studying the particle morphology of paint pigments and fillers (17).
March 1990), pp 14-A−17-A. Hewett, D. Maine Antique Digest. (December 1997), p 8-A. Grant, M. S. In Conserve O Gram, Number 1/9; National Park Service: Washington, DC, 2000, pp 1−3. Grant, M. S. In Conserve O Gram, Number 1/10; National Park Service: Washington, DC, 2000, pp 1−4. Mustalish, R. A. ; IIC: London, 2000, pp 133−136. Kushel, D. A. Stud. Conserv. 1985, 30, 1–10. ; Lopez, L. F. In The Care of Painted Surfaces: Materials and Methods for Consolidation and Scientific Methods to Evaluate their Effectiveness; Il Prato: Padova, Italy, 2006, pp 49−58.
This practice lent itself to greater productivity, as less time was spent innovating during the planning stages. The large woven basket, the yellow cock with a spotted breast, the downward facing hen, the black and white rabbit, and ribbon-like strands of grass all appear in other works by Hondecoeter, suggesting the Mauritshuis painting may have been created for the open market rather than for a specific commission. The brushwork used to render these forms is similar to representations found in pictures examined at Pieter de Boer’s gallery, suggesting Hondecoeter was well practiced at their depiction.